At first glance, the jewelry and wearable art from Geoff Thomas Designs seemed too edgy for my taste. After all, I'm no rock star. Not even a groupie. Definitely not a starlet. And certainly not one of Ms. Tyra's Next Top Crybabies. But at the second and third (and every subsequent) glance, something new and compelling caught my eye and brought me back to take another look and want to know more about the artist behind the artistry.
Geoff Thomas the designer seems perfectly at ease surrounded by models clamoring for bikini tops of molded metal and rockers snatching up beautifully alloyed metals sprouting bolts in post-modern irony. He is adept at boosting egos and enhancing self-images. He makes them look hot. This much is obvious, for these people are his most visible customer.
What is perhaps more interesting is how Geoff Thomas the businessman and marketing innovator is attracting a whole other type of customer. Through the adept use of so-called "new media" such as reality TV, the blogosphere, and the (no doubt) very carefully calculated business expense of a high-end PR firm employed to strategically place him in said media, Geoff Thomas is reaching many more customers than your average jeweler.
Geoff Thomas, however, is not your average jeweler. There is distinctive artistry to what he does. Those who read The Bling Blog regularly will not instantly recognize his style as something they'd be accustomed to seeing here. Not at all. But look a bit closer and I think you will see what I see. Geoff Thomas is the first in the "Young Designers Making The Cut" section for good reason. Plus, he's a damn nice guy.
BB: What is your background and training?
GT: Well, I was painting, sculpting and going to school for business management at the time I started making jewelry. A couple of friends and I started a gallery in downtown San Diego. There were a lot of artists around and an intense friendly competition of trying to impress eachother with new things. I wanted to make myself a bracelet out of copper and it came out good. I got a lot of compliments on it and started getting requests. I got some silver and a lot of jewelry books and just started doing it. It all kind of took off from there. I'd been in school long enough to know how to teach myself.
BB: How did you know you wanted to be a jewelry designer?
GT: I took to it quickly, and got great positive
feedback from the beginning, so I felt really good about it. I love
working with metal and stone. The thing I really like about jewelry is
the intimate connection it has to the wearer. A piece that someone
wears frequently becomes part of their personality. With jewelry, its
a combination of the piece and the person wearing it that is the final
expression, for me.
BB: What other work have you done? If not jewelry, what else could you see yourself doing?
GT: I consider myself an all around artist but really
decided to focus on jewelry when I turned thirty, three years ago. I
spent my twenties doing a little bit of everything; school, travel,
painting, sculpture, jewelry, graphic design. I even did the "acting"
thing for a bit, and was a tattoo artist for a short time in Hawaii. I
feel jewelry design and fabrication is my strongest talent and what I
will be known for in the future. I realized early on though that I
wanted to create with my hands and eyes for a living.
BB: Who or what are your design and style influences?
GT: I'm really just interested in a lot of different
things. Everything from ancient Greek and Roman architecture, to Japanese art, to high fashion, to nature, to sci-fi and industrial
design. I don't really like to be labeled one thing; I try to take
different elements from the world, and process them into my own
aesthetic.
BB: The Mokume-Gane collection has a strong Japanese influence and tradition. How did you become familiar with it? Describe the process and the metals and the materials used. GT: I became familiar with Mokume-gane a while back. I
can't quite remember, but I think it was a
Lapidary Journal. I was
blown away by it and started researching it. I finally found a
supplier (Reactive Metals) that sold it already processed in final sheet
form. I started using that in some of my pieces. Recently I've been
making my own patterns from billets I get from the same supplier.
Making Mokume-gane from scratch is whole other art form and science in
itself. It's basically diffusion bonding of alternating layers of metal
into one solid stack (billet). It requires the metal layers being
heated to a certain temperature in a kiln with perfect conditions
inside to allow the layers to bond without solder. It can be any
combination of metals really, but some are harder to bond together than
others. You usually see mokume combinations in various alloys of
copper, silver and gold. Then you can gouge, forge and roll this piece
to come out with an endless array of patterns.
BB: What kind of welder do you use?GT: I use a "Little Torch"
for all my fabrication, and just recently invested in a fusion welder.
BB: What sets you apart from other designers? You're doing something very different from the average goods sold in retail outlets, the internet or at shows, and that's a very good thing. So often we see the same old thing. Geoff Thomas does something unexpected, but still elegant and very wearable. When I showed the photo of your Saw Chain bracelet to my husband, he was very taken with it, and that hardly ever happens. Along the same line, who is your customer?GT: Well first of all that's the best compliment I can
get. When I can catch the eye of someone who is educated in art and
design and hard to impress, it's the best. As far as what sets me apart from other designers,
you summed it up with your question. I am trying to do something
different, something unexpected and edgy, yet still elegant and
wearable. I hate seeing the same thing over and over. What I'm trying
to do is bridge the gap between art jewelry and fashion jewelry.
I'm building a brand and body of work that doesn't conform to any one
thing and is in it's own niche. For this reason my customer
is everyone really. At my showroom in Santa Monica, my customers range
from the young and edgy to the older and more conservative type.
BB: What are some of your favorite pieces in your current collection?
GT: Right now the Saw Chain bracelet you mentioned above is one
of them. A few of the bikini tops I made a while back are some of my
most impressive works, metal smith wise. Usually my newest work is my
favorite.
BB: Is there an piece in your collection that stands out as your all-time favorite piece of jewelry?GT: For my personal aesthetic, I would say the Razed Cuff bracelet with mokume-gane. For some reason this piece sticks in my head the most, and just feels like me. I have a few pieces I'm working on right now that I think will take its place though.
BB: If you could design for any celebrity, who would it be? Do you have a celebrity muse, and she doesn't know it yet? I could see Gwen Stefani having a real affinity for your pieces.
GT: Gwen Stefani would definitely be one of them, and I hear that a lot.
BB: Who else, besides you, is making innovative jewelry?GT: Actually my girlfriend
Marla Trudine does amazing Art Nouveau-inspired jewelry, that is unique and powerfully feminine.
There are many amazing "art jewelry" designers out there, but you don't
see them in the mainstream very often.
BB: Speaking of Marla... gift-giving jewelry designer to jewelry designer must be interesting... Do you create things for one another or default and just go the civilian route of Laker tickets and chocolates and flowers?GT: HaHaHa, that's a great question! You're right, we've been together for almost two years and neither of us has made a piece specifically for the other. So I guess we do go the default civilian route. It seems strange, but each of us have such a unique style and are so impressed with the other's, that we may be a little intimidated.
Interestingly, our work is very different but compliments eachother very well. We also tend to wear our own work most of the time for marketing purposes (no one's a better walking billboard for your work than yourself). That being said, I do have a few ideas marinating about the ring I'm going to make for her (wink, wink) sometime soon. It will have to be so perfect though; that will take some time.
BB: You've really embraced "new media" such as reality TV and the blogosphere as avenues for self-promotion. As much as many of us (okay, me) would like for Ms. Tyra and her young hysterics-in-training to go away, ANTM really helped put you in the spotlight as a jewelry designer. Also Rockstar: Supernova. What were those experiences like? They must have been pretty exciting.
GT: It was exciting and it got me some great exposure.
These days you need to get your name out where ever you can. My work
has been in a lot of TV shows, movies and magazines lately and it's
always exciting and validating for some reason. Plus, it's fun to tell
family and friends.
BB: Your opinion, if you have one, regarding the upcoming "Blood Diamond" movie and the surrounding controversy? GT: It's a tough one. I think it's good that attention
is being brought to the world about unethical practices. It's hard for
me as a small designer to really know where all my materials come
from. I try to buy from reputable suppliers in the U.S. but you never
really know. I hope the industry makes more information available for
the average jeweler to make decisions on.
BB: What is next for Geoff Thomas?
GT: Right now I'm working on getting my sterling line
and my high-end gold and mokume-gane lines out to retailers. I plan to
continue to develop these lines while making custom one-of-a-kinds. I
have some ideas for handbags, full body pieces, furniture and leather
goods I'd like to get to at some point.
BB: And finally, which is more likely to happen:
a. Angelina Jolie dumps Brad Pitt and bags the "Big One," self-proclaimed eternal bachelor and Pitt best friend George Clooney and they marry
or
b. Hillary Rodham Clinton is elected President in 2008GT: b.
(photos courtesy of Geoff Thomas)
